Final Major Project Proposal
17/03/12
Fine Art
I have learnt a lot from the first stages of the course and
experimented with welding, clay and pot throwing, spinning, weaving and
lifedrawing, I have also learnt the basics of how to use garageband software
for music editing. I have explored deeper my skills in collage and knitting.
What I have learnt through this journey is more about myself on a personal
level and has helped me to name the particular subject/s that I am interested
in. Fine Art is a wide, open book which allows me to explore and cross
boundaries between realities. I don’t see any limits to what fine art could be,
so this is why It is my chosen pathway.
The aim for my project is to explore ritual and mythology
and their relationship to Sacred Space. I hope to explore object symbolism and
archetypes by means of various materials including found objects. I also hope
to use these as instruments in performance. I intend to begin investigating
space by use of objects, sound, with a possibility of making a structure to
create a space within a space, an inside. I would also like to explore open
spaces in nature and the relationship between the elements and light to
objects, sound, performance. My research will be in anthropology, indigenous
ceremony and mythology, crossing into ‘psychospirituality’.
There is a difficulty which I must solve which is where I
place the border between show and secrecy, as the power in ritual is hidden and
to show it, complying with the nature of exhibition, would mean leaving the
sacredness vunerable and therefore potentially volatile. This is a serious
matter that will need constant careful thought to adjust the balance. On the
journey of exploring ritual and Sacred Space a certain need for privacy and
psychic uninterruption is due, and therefore my method of recording will be a
reflection of my findings and experiences in the form of writing and visual/
sound creation. I will keep a regular diary of thoughts, reflections, poetry
and prose.
This difficulty of boundary is a fascinating one, so very
relevant, so very sensitive and so very risky. The veil between the worlds,
seen and unseen, inner and outer, earth and sky, sun and moon, many names.
Where is the veil? Symbols provide a key into our unconscious, where we can
pick up multiple layers of association that easily bypass our conscious minds.
These links reverberate into the depths, into places undiscovered, vast and
unknown, the relm of the deities. The ancestors we have forgotten, wisdom from
the beginning of time, cellular, genetic, beyond. A melody that changes over
time but never loses it’s message. We forgot how to listen. We drown it with
dense sensations that keep our minds in duality, separation.
It is time to clean
our windows so the light shines through and we can see with ultimate clarity
the beauty of truth. This is what it’s about, this is my message, my work.
Action plan
Stage 1
Research
Anthropology,
symbols, ritual space, indigenous medicine, myth 2-3 weeks
Make poster
Stage 2
Exploration
of findings
Making
objects, figures 2-3 weeks
Stage 3
Refined
research
Evaluation
of findings, strengths 1-2 weeks
Check in
with tutor
Stage 4
Exploration
of findings 2 weeks
Stage 5
Reflection
on strengths 1 week
Check in
with tutor
Stage 6
Planning and
exploring visions of final piece
beginning of may
Stage 7
Making and
setting up final piece 3-4 weeks
No comments:
Post a Comment